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Description
Laviani’s 1992 Orbital still feels like pop-art in motion: a slim steel spine on a three-point base, fanning out five glass “petals” that read more collage than lampshade. In white, the overlapping silhouettes look crisply graphic, like cut-paper forms frozen mid-flight; choose the multicolor set and the lamp turns into a standing Joan Miró—quiet by day, carnival by night. Every diffuser is satin-matte outside, glossy inside, so light slips across the surface but bounces back through the glass, casting soft pools while keeping the colors saturated. A quick swivel of the tripod lets you angle the composition, as if rearranging pieces on an easel. Sculpture first, floor lamp second, Orbital lands in a room with the confidence of something that knows it changed the conversation once—and can do it again whenever you flip the switch.
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