You’ll love Kaboom because it behaves like a cheerful sidekick: instantly lightens the room, treats your back to wrap-around comfort, and follows you anywhere—dining area to garden—without showing wear or weighing you down.

Description

Round as a cartoon speech-bubble and twice as friendly, Kaboom turns everyday seating into a small celebration. Its smooth, seamless shell is rotationally molded in the Netherlands—an extra-thick, hollow form that feels reassuringly solid yet weighs almost nothing to lift. Sink in and the generous curves support you from every angle, whether you’re lingering over dinner, scrolling through a playlist, or catching up with friends till the candles burn low.

Thanks to UV-stable, weather-proof polyethylene, Kaboom drifts effortlessly between indoors and out: pulled up to a dining table, waiting in the hallway, or greeting sunrise on the balcony. The shell wipes clean with a damp cloth and shrugs off rain, so you can leave it on the patio year-round without a second thought. Its playful silhouette suits modern lofts as easily as eclectic gardens—wherever you need a pop of character that doubles as serious comfort.

Dutch duo Studio Roderick Vos designed Kaboom to make people smile first and ask questions later. Each chair is produced in small batches, emerging from its mold with a soft ‘kaboom’ that signals another unique piece ready for a lifetime of moving—from home to home, room to room, season to season.

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Shipping

Ships from New York, USA.

Estimated delivery: 3–5 business days within the continental US.

Free US shipping on orders over $99.

International shipping available. Duties and taxes may apply depending on destination country.

Returns

15-day return window for a full refund.

30-day returns eligible for store credit.

Items must be unused and returned in original packaging.

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Questions?

Need expedited shipping or assistance with a larger order? Contact us at help@gessato.com

Roderick Vos

Roderick Vos designs objects that feel easy to live with: a chair you don’t have to think about, a vase that’s more shape than statement. After Design Academy Eindhoven, he worked with Ingo Maurer in Munich and Kenji Ekuan in Tokyo—two places where hands-on testing matters more than sketches. He still works that way: first clay, foam, or cardboard on the workbench, then metal presses or CNC once the form makes sense. Vos spent the 1990s ...

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