Description
Julian Schnabel transforms the ordinary into the extraordinary, crafting art from the tapestry of daily life. His unconventional canvases range from shattered crockery to lush velvet, bustling market awnings, military tarpaulins, theatrical backdrops from kabuki plays, and even the worn surfaces of boxing rings. These eclectic materials contribute their unique narratives to Schnabel’s artistic journey. Emerging as a pivotal figure in the resurgence of painting, his first solo exhibition in New York in 1979 catapulted him to fame. Schnabel’s artistic expression spans various forms: he creates sculptures that extend his visual language into three-dimensional, seemingly ancient artifacts; he directs films that capture the essence of artists and figures of quiet valor; and he has even realized his vision of a Venetian palace in the heart of New York. Schnabel’s philosophy is embedded in his work: “I want my life to be in my work, crushed into my painting like a pressed car. If it’s not, my work is just some stuff.” This sentiment infuses his creations, regardless of the medium he chooses.
Now offered in a widely accessible edition, this TASCHEN monograph presents Schnabel’s diverse body of work with unparalleled detail, crafted in collaboration with the artist. The book features contributions from friends and fellow creatives: Laurie Anderson offers a personal glimpse into Schnabel’s world; essays by curators and art historians Éric de Chassey, Bonnie Clearwater, and Max Hollein delve into his paintings, sculptures, and site-specific works respectively; Donatien Grau discusses the Palazzo Chupi, Schnabel’s lavish West Village residence; while novelist Daniel Kehlmann reflects on his cinematic endeavors. This edition invites readers to closely examine the textures, artistic strokes, and spirit embedded in Schnabel’s work, providing an immersive experience akin to encountering his art in person.
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