Designer
London-based Dutch designer Tord Boontje works across lighting, furniture, and product design, turning everyday pieces into small theatres of colour and light. Since founding his studio in 1996, he has coaxed floral cut-metal into the Garland Light, guided recycled glass into Transglass vases, and woven plastic threads into the Shadowy Chair—objects that feel both familiar and quietly enchanted. Projects begin with paper cut-outs and quick wire maquettes before moving to digital tooling; the aim is to keep the hand visible even when machines finish the job. That attitude has won commissions from Alexander McQueen, Moroso, Swarovski, Perrier-Jouët, and Kvadrat, as well as spots in the permanent collections of MoMA and London’s V&A. Boontje headed Design Products at the Royal College of Art from 2009 to 2013 and continues to teach in Europe and China. He still sketches in a light-filled studio near London Fields, often leaving the city to photograph leaves or catch how dusk settles on water—notes that later surface in new chandeliers or textile repeats.
A loose glass sphere slipping from a Murano workbench in 1981 sparked Foscarini’s first experiment—and its life-long ...