Barcelona-born designer Eugeni Quitllet works at the edge of industry and daydream. Trained in Ibiza’s art schools before graduating in Barcelona, he first drew global notice alongside Philippe Starck—most famously with Kartell’s Masters chair, a single flow of polycarbonate that hints at three design icons without copying any of them. Quitllet starts by sketching “air more than matter.” He pares a shape until gaps do as much work as the solid parts, then leans on advanced moulding to keep the silhouette crisp—whether for furniture at Vondom and Alias, eyewear at Ray-Ban, or cutlery that seems to hover off the table. Recent pieces explore recycled polymers and 3-D printing, pushing transparency and lightness toward true material thrift. He splits time between a seaside studio in Ibiza and a workshop outside Barcelona, convinced that a good product should feel as effortless as tide patterns yet be robust enough for heavy contract use. Awards from Red Dot to Good Design mark a career that turns optimistic sketches into everyday fixtures.