The design is built from a few clear elements: gently splayed legs, a curved backrest, and a leather upholstered seat pad. The planted stance gives the chair stability and a strong outline, while the shaped backrest provides support without making the frame feel heavy. The seat pad adds comfort for longer meals, softening the timber structure without hiding it.

From a design standpoint, the Dulwich Chair is about proportion and construction rather than decoration. The frame is clean, but not plain. The curved back, angled legs, and resolved joinery give the chair its identity. It feels considered because the details have a purpose: support, comfort, balance, and a clear relationship to the table it was made to accompany.

Available in Oak, Walnut, or Black, the chair can take on different moods depending on the finish. Oak feels lighter and more natural, Walnut brings warmth and depth, and Black gives the silhouette a more graphic look. The top-grain leather seat pad adds a practical layer of comfort while keeping the chair suitable for everyday dining.

It’s built for real-world dining rooms and public spaces alike: lightweight enough to move around, sturdy enough for everyday use. Materials are FSC™ Mix-certified wood (solid ash frame/backrest with a veneered seat depending on finish), and it’s offered in Dark Stained Beech, Natural Oak, Black, and Red Brown so you can keep the same silhouette and tune the tone of the room.

Designed by Oskar Zięta, the aluminum Chippensteel rethinks an 18th-century silhouette using FiDU, a process that welds and air-forms thin metal into volume. Up close, the evenly spaced perforations read like tufting; the curves are crisp, not padded—your eye swears fabric, your hand knows metal.

The 0.5 size sits at standard dining height (30.7″ tall), with a light, rigid body that’s easy to move and strong enough for daily use. Powder-coated finishes are material-specific—think White Matt 9010, Blue Grey Matt 7031, Umbra Grey Matt 7022, Graphite Grey Matt 7021, Beige Matt 7006, Moss Grey Matt 7003—each one accenting the FiDU ripples rather than hiding them.

Place it at the table, pull one into a studio corner, or set a pair as conversation pieces—sculpture that you actually sit on.

Designed by Herman Studio for Form & Refine, Sonder uses FSC® European oak with molded veneer curves. Square legs and crossbars keep the structure frank; the U‑shaped seat spreads weight so the front edge doesn’t bite—one of those details you feel right away.

Two choices, same silhouette: an all‑oak seat at 12.7 lb, or a Hallingdal 65 wool‑viscose upholstered seat over fire‑retardant foam at 13.4 lb. Seat height sits in the standard range—17.7″ or 45.0 cm (wood) and 18.1″ or 46.0 cm (upholstered)—so it slides under most dining and work tables without drama.

At home it rotates from breakfast to laptops; in hospitality it shrugs off daily knocks. The natural‑oil finish lets the oak pick up a quiet patina. Care is simple: dry cotton cloth for daily wipe‑downs; mild soap if needed—no abrasives.

Thanks to UV-stable, weather-proof polyethylene, Kaboom drifts effortlessly between indoors and out: pulled up to a dining table, waiting in the hallway, or greeting sunrise on the balcony. The shell wipes clean with a damp cloth and shrugs off rain, so you can leave it on the patio year-round without a second thought. Its playful silhouette suits modern lofts as easily as eclectic gardens—wherever you need a pop of character that doubles as serious comfort.

Dutch duo Studio Roderick Vos designed Kaboom to make people smile first and ask questions later. Each chair is produced in small batches, emerging from its mold with a soft ‘kaboom’ that signals another unique piece ready for a lifetime of moving—from home to home, room to room, season to season.

Intended as a dining chair, it suits daily meals and long dinners alike, but its clean geometry makes it just as at home in a hallway, bedroom, or reading nook. The name “Hesbjerg” comes from a hilltop in North Zealand where generations of the designers’ family have gathered—fitting for a chair that’s quietly rooted in time and place.

Designed for indoor use, the chair balances visual weight with a lightweight frame, and the square legs and curved backrest echo the rhythm of industrial frameworks. A round leather pad softens the seat without interrupting the design. And because it’s stackable, it’s practical in both compact homes and larger spaces.